Curtis Amy – Tippin’ on Through [Stereo] (Blue Note Tone Poet Series Edition)

(AAA) — Lacquers cut from the original analog master tapes by Kevin Gray at Cohearent Audio.

180-gram LP

Mastered by Kevin Gray at Cohearent Audio from the original master tape

Plated and pressed at RTI

The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.

A powerful wind blew through The Lighthouse in Hermosa Beach, California on July 29, 1962 as saxophonist Curtis Amy brought a stacked sextet into the legendary venue to record his live album Tippin' On Through for Pacific Jazz. The brawny Texas tenor had already recorded his hard-charging date Groovin' Blue and would make his masterpiece Katanga! the following year. Here he surrounds himself with a dynamic unit featuring Roy Brewster on trombone, Roy Ayers on vibraphone, John Houston on piano, Bob Whitlock on bass, and Lawrence Marable on drums for a swinging six-song set including three of his own originals plus tunes by Benny Golson, Dave Brubeck, and George Gershwin.

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180-gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.

(Above description from AcousticSounds.com)