Tom Waits and Crystal Gayle – One from the Heart [Stereo] (Mobile Fidelity Edition)

(ADA) — Lacquers cut by Krieg Wunderlich at Mobile Fidelity Sound Lab from a DSD 256 (digital) transfer by Rob LoVerde of the original analog master tapes.

Tom Waits and Crystal Gale Create Magic Together on 1982 Soundtrack: One from the the Heart Features Small Combo Band and Jazzy Vibe

Music Largely Recorded Live on Studio Floor: Mobile Fidelity's Numbered-Edition Silver Label 33RPM LP Is the Definitive Version and Out of Print

1/4" / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe

One from the Heart ranks among the best soundtracks in history. It sets an example of what's not only possible, but should be expected and demanded, when two likeminded artists collaborate. Heartstrings are tugged, passions kindled and lost, sentiments exchanged, skeletons dragged out of closets, seasons changed, romantic truisms cited. And its wide-open sound is supreme, the result of most tracks being recorded live in the studio, free of after-effects and interference.

Mastered at Mobile Fidelity Sound Lab and pressed at RTI, Mobile Fidelity's numbered-edition Silver Label 33RPM LP presents the Academy Award-nominated soundtrack in stunning sonic relief. You'll be able to gauge the signature tones of the guitars and hear inside the cavity of Tom Waits' piano. Perhaps most importantly, Crystal Gayle and Waits' voices now sound just feet away, with your room converted into the world's coolest late-night lounge. Spatial cues, background accents, and studio dimensions emerge with striking realism.

Inspired by a track Waits cut with Bette Midler on his Foreign Affairs effort, One from the Heart overflows with simpatico chemistry, poignant contrast, elegant atmospherics, and awestruck intimacy. On their four vocal duets, Gayle and Waits inhabit the personas of a man and woman breaking apart yet sharing common bonds. Their singing plumbs emotional depths that traverse melancholy, sensuality, and understanding. Made before Waits' baritone turned into a deep, gravel-laden instrument, the songs are more smoke than whiskey, more piano-man empathy than hipster growler.

Written by Waits, the music occupies a common ground between laidback small-combo jazz, lounge pop, and downbeat blues. Classy string orchestrations abet a crack ensemble comprised of saxophonist Terry Edwards, drummer Shelly Manne, pianist Pete Jolly, bassist Greg Cohen, and others. The arrangements seamlessly melt into both vocalists' leads, allowing every note, every piano clink, acoustic bass ripple, brushed snare drum to register with utmost magnitude.

Experienced on stunning soliloquy pieces such as Gayle's mournful ballad "Is There Any Way Out of This Dream?" and back-and-forth collaborative efforts like the breakup take "Picking Up After You," beautiful instrumentation, spacious production, and flawless vocal phrasing take hold. You can picture the broken dreams exiting out the side doors of the dim bars and abandoned houses that pepper the narratives. Renowned for his sad songs, Waits has never been in better form, the goodbye fare clicking with unflinching honesty and personality.

(Above description from MusicDirect.com)