Lester Young, Roy Eldridge and Harry Edison – Laughin’ to Keep from Cryin’ [Stereo] (Verve Acoustic Sounds Series Edition)

(AAA) — Lacquers cut from the original analog master tapes by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios.

Lester Young — Laughin' To Keep From Cryin'

Acoustic Sounds Series reissues from Verve/Universal Music Enterprises!

Monthly releases highlighting the world's most historic and best jazz records!

Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape

180-gram LPs pressed at Quality Record Pressings!

Stoughton Printing gatefold old-style tip-on jackets

Series supervised by Chad Kassem CEO of Acoustic Sounds

There are jazz records that document a moment — and then there are records that reveal a lifetime. Laughin' to Keep from Cryin' belongs squarely in the latter camp.

Cut in 1958, just a year before his passing, this session finds Lester Young — the eternally cool "Pres" — in a reflective, deeply human space. Rather than chasing modern trends, Young turns back toward the language he helped define during the swing era, reuniting with kindred spirits Harry "Sweets" Edison and Roy Eldridge. What unfolds is not nostalgia, but something richer: a conversation among masters who no longer need to prove anything.

From the opening phrases, there's an unmistakable tone — lighter than air, yet weighted with experience. Young's tenor sax doesn't push; it floats, phrasing behind the beat with that unmistakable elasticity that influenced generations. And in a rare and telling move, he returns to the clarinet on two tracks — the first time he'd recorded on the instrument since the 1930s — adding a woody, intimate texture that feels almost like a private aside to the listener.

Standards such as "They Can't Take That Away from Me," "Gypsy in My Soul," and "Salute to Benny" are handled with grace and understatement. The trumpet interplay from Edison and Eldridge provides contrast, creating a session that swings effortlessly while never losing its introspective core.

For the audiophile listener, this reissue elevates the experience even further. Mastered by Matthew Luthans at The Mastering Lab from the original analog tape, and pressed on 180-gram flat, silent vinyl at Quality Record Pressings, the presentation honors every nuance of Young's breathy attack and trailing phrases.

(Above description from AcousticSounds.com)