Sam Rivers – Dimensions & Extensions [Stereo] (Blue Note Tone Poet Series Edition)

(AAA) — Lacquers cut from the original analog master tapes by Kevin Gray at Cohearent Audio.

180-gram LP

Mastered by Kevin Gray at Cohearent Audio from the original master tape

Plated and pressed at RTI

The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.

A saxophonist of striking originality, Sam Rivers' music had a strong avant-garde undercurrent though he kept a foot planted firmly in post-bop and the blues, a sound heard to great effect on his masterful 1964 debut Fuchsia Swing Song. The last of Rivers' four highly-distinctive Blue Note albums, 1967's Dimensions & Extensions, is fascinating for the presence of trumpeter Donald Byrd who makes a rare foray into the avant-garde alongside Rivers on tenor saxophone, soprano saxophone, and flute, James Spaulding on alto saxophone and flute, Julian Priester on trombone, Cecil McBee on bass, and Steve Ellington on drums.

The adventurous album presents six evocative Rivers originals including the declarative "Precis," churning "Effusive Melange," and swinging "Helix." Though it was prepared for release in 1967 with Reid Miles designing an eye-catching cover, the album was shelved and wouldn't see its first release until 1986.

(Above description from AcousticSounds.com)