Charles Mingus – The Black Saint and the Sinner Lady [Stereo] (Verve Acoustic Sounds Series Edition)
(AAA) — Lacquers cut from the original analog master tapes by Ryan Smith at Sterling Sound.
$38.98
Disclosure: As an Amazon Associate I earn from qualifying purchases.
Product Description
Acoustic Sounds Series reissues from Verve/Universal Music Enterprises!
Monthly releases highlighting the world's most historic and best jazz records!
Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes
180-gram LPs pressed at Quality Record Pressings!
Stoughton Printing gatefold old-style tip-on jackets
Series supervised by Chad Kassem CEO of Acoustic Sounds
"A comparison between this reissue and an original Impulse produced a sonic draw with each having its own attractive qualities — warmer original versus more transparent reissue — but the reissue is pressed on far quieter vinyl and given a choice I'd take the reissue. Musical and sonic fireworks well worth getting." — Music = 10/11; Sound = 10/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here.
On January 20, 1963, bassist and composer Charles Mingus recorded in just one session — astonishingly — a very personal and socially conscious work he titled The Black Saint & The Sinner Lady. With liner notes written by Mingus's psychotherapist, the album uses ornate ensemble orchestration to produce a sound somewhere between jazz and folk.
Released on Impulse! Records in 1963, the album consists of a single continuous composition — partially written as a ballet — divided into four tracks and six movements. Of his adventurous and hauntingly eloquent work, among his other creations, Mingus said: "My music is evidence of my soul's will to live." The evidence of that life-force amounts to some of the most dramatic and powerful jazz composed in the 20th century.
Mingus was born in Arizona on April 22, 1922 and raised in Los Angeles. He was taught double-bass by Red Callendar, and by the New York Philharmonic Orchestra's Herman Rheinshagen (classical music played as big a part in his compositional thinking as gospel songs and the blues). Mingus toured with New Orleans players Louis Armstrong and Kid Ory in the 40s, and later worked briefly with Lionel Hampton and Duke Ellington.
If he had been an improvising instrumentalist alone, Mingus would have been a jazz legend simply for his bass playing. Yet bass-playing also gave Mingus an insight into the low sonorities and inner hamonies of jazz composition, and his melodic approach was profoundly influenced by the blues and gospel music of his childhood.
Music
Sound
Ratings from Michael Fremer @ AnalogPlanet.com
(Above description from AcousticSounds.com)
Additional information
Album | |
---|---|
Artist | |
Producer | |
Recording Engineer | |
Original Release Decade | |
Original Release Year | |
Acclaimed Music Rank | |
AllMusic Rating | |
AllMusic Genre | |
AllMusic Subgenre | |
AllMusic Style | |
Release Date | |
Release Media | |
Release Type | |
Record Company | |
Record Label | |
Record Label ID | |
Catalog Label | |
Catalog Label ID | |
Reissue Series | |
Channels | |
SPARS Code | |
Source | |
Mastering Studio | |
Mastering Engineer | |
Lacquer Cutting Studio | |
Lacquer Cutting Engineer | |
Cutting Speed | |
Plating Process | |
Plating Facility | |
Pressing Plant | |
Format | |
RPM | |
Size | |
Weight | |
Color | |
Jacket Manufacturer | |
Jacket Style | |
Jacket Type | |
UPC | |
Accolade | |
Availability |
Disclosure
As an Amazon Associate, I earn from qualifying purchases.
When you click links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Reviews